Author | Article | Year | Vol | Pages |
---|---|---|---|---|
Akester, E. | Dance I have seen in Zanzibar | 12 | ||
Akester, E. | Religious Dance and Ritual I have seen in Zanzibar | 14 | ||
Akester, E. | My Personal Experience of Pre-1950 Dance | 51 | ||
Bagley, G. | Ausdruckstanz – The German Connection. | 1994 | 13.3 | p.4 |
Balaci, E. | Rumanian Choreographic Folklore | 49 | ||
Bartlett, K. | So What is Community Dance? | 2004 | 23.3 | pp.4-5 |
Bartlett, K. | Community Dance: a Work Force for the Future | 2009 | 28.3 | pp.9-11 |
Bodmer, S. and Stephenson, G. | Modern Dance and the Contemporary Theatre | 11 | ||
Bodmer, S. | Recreational Dance | 37 | ||
Bour, K. | Dance, Architecture and Film making in Wells Cathedral. | 1998 | 17.1 | p.3 |
Bruce, V. | Dance in Recreation | 1984 | 73 | Nov |
Brumof, H. | Impressions of a Rehearsal in June 1965 of Members of the London Dance Theatre Group | 36 | ||
Burn, M. | Children’s Reactions | 2 | ||
Carlisle, A. | Stimuli for Dance from the Natural World | 2004 | 23.1 | p. 13 |
Carlisle, A. | Staying Alive | 2006 | 25.4 | pp.8-9 |
Corlett, H. | Dance Drama in A Roman Catholic Cathedral | 39 | ||
Craig, J. | Dance in South Africa | 2 | ||
Curl, G. | Aesthetic Values in Community Dance | 2004 | 23.3 | pp.7-9 |
Curtis-Jones, A. | Historical Recreation and current Practice | 2009 | 28.1 | pp.4-7 |
Curry, E. | The Hobby Horse | 20 | ||
Curry, E. | The Corn Dance | 21 | ||
Delza, S. | Chinese Exercise Techniques | 13 | ||
Gardner, C. | Opera: Therese – Movement by Geraldine Stephenson | 63 | ||
Gleisner, M.M. | On Movement Choirs | 63 | ||
Hamby, C. | Kurt Jooss Ballet | 38 | ||
Harmel, L. | Modern Dance I n Japan | 17 | ||
Harmel, L. | Questions and Answers | 37 | ||
Hartong, C. | Some Aspects of Modern Dance in Holland | 24 | ||
Harvey, S. | Recreational Dance: Notes from an Outsider | 36 | ||
Haslett, J. | Earth. | 1998 | 17.2 | pp.4-5. |
Heynssen, A | American Dance Recitals | 14 | ||
Hofman, R. & Rouchon, D. | Dancing Around. | 1993 | 12.2 | p.4. |
Houston, S. | Community Dance in the Aftermath of Pandemic Restrictions | 2022 | 41.5 | pp.7-8 |
Hunt, B. | The Lao Funeral Celebration | 30 | ||
Keir, S. | Cut meets Choreography; designing costumes for contemporary dance | 2001 | 20.2 | pp. 4-5 |
Kuppers, P. | The Olimpias: Community Dance and Performance Technologies | 2004 | 23.3 | pp.10-11 |
Li, H. | Chinese Cultural Activities. The Application of Laban’s Principles. | 1997 | 16.2 | pp.4-5 |
Loman, H. | Martha Graham | 39 | ||
Lunn, J. | Community Dance, the Benefits and Beyond | 2004 | 23.3 | pp.5-6 |
Lunn, J. | On the Movement Choir | 2022 | 41.5 | p.10 |
Lustig, C. | A Movement Observer in Southern India | 11 | ||
Lustig, C. | The Dances of Malaya | 29 | ||
Lustig, C. | The Young Dancers and the Sylvia Bodmer Dance Group | 1990
|
79 | May |
Maletic, A. | The Dance in Yugoslavia | 15 | ||
Mather, U. | What is the Difference Between Professional Theatre Dance and Community Dance? | 2005 | 24.4 | pp.9-11 |
Matthews, H. | Working with Live Arts. | 1994 | 13.3 | p.1 |
Matthews, H. | Dances of the Soul. Witches – October 1997. | 1999 | 18.1 | p.5 |
Mayerova, M. | “Le balet est mort: vive le balet!” | 18 | ||
Mortimer, J. | Community Dance at Brockhill | 2005 | 24.4 | 7-8 |
Newlove, J. | The Theatre is a Hazardous Profession. | 1995 | 14.3 | pp.1,3 |
Nugent, A. | Criticising Forsythe | 2006 | 25.1 | pp.37-38 |
Owen-Wooten, B.J. | Roots of the American Modern Dance | 19 | ||
Parry, R. | The Laban Toolbox | 2015 | 34.3 | pp. 8-9 |
Petit, J. | So you do T’ai Chi. | 1998 | 17.3 | p.3 |
Preston, V. | Impressions of a Television Broadcast | 6 | ||
Preston-Dunlop, V. | Martha Graham | 32 | ||
Preston-Dunlop, V. | Trinity Laban Movement Choir – In Memoriam | 2015 | 34.1 | p. 14 |
Reddy, J. | Dancing from the Heart – UK/Culture | 2015 | 34.1 | pp. 12-13 |
Royston, D. | Using a Laban Approach to make Physical the Historical | 2022 | 41.5 | pp.5-6 |
Royston, D. | Dancing Internationally | 2008 | 27.4 | p.5 |
Scott, A. | CCPR Festival of Movement and Dance | 1985 | 74 | Nov |
Smith, H. | The Maori and their Dances | 28 | ||
Stephenson, G. | Movement in the York Cycle of Mystery Plays | 7 | ||
Stephenson, G. | Dancing at the Bar | 18 | ||
Stephenson, G. | The Masque of Teilo | 31 | ||
Stuiber, B. | Journeys into the 21st Century. | 1998 | 17.4 | p.3 |
Stuiber, B. | Oriental Dance as a Movement System According to Rudolf Laban’s Theory | 2003 | 22.2 | p.7 |
Tagor, P. | Dance in India | 27 | ||
Thaeter, A. | Laban’s work in Action in Germany. | 1994 | 13.4 | p.4 |
Thornton, Susi | Ruminations on Shakespeare and Laban. | 1997 | 16.2 | pp.1,10 |
Thornton, Sam | Movement Choir – Carmina Burana | ? | ||
Thornton Sam | Movement Choirs | 2006 | Supp | p.18 |
Tomkins, A. | The Concept of Community Dance | 2005 | 24.4 | pp.4-5 |
Ullmann, L. | Recreative Dancing in the Movement Choir | 16 | ||
Ullmann, L. | Rhythm and Harmony in Movement as a Recreative Activity | 21 | ||
Wallman, C. | Historical Dance: Renewed Interest – Inspiring Opportunities | 2019 | 38.3 | pp.10-11 |
Waterman, R. | The Influence of Rudolf Laban on the Teaching of Keep-fit in Birmingham 1945-1998. | 1998 | 17.2 | pp.7,10 |
Watkins, M. | Alvin Ailey American Dance Theatre | 33 | ||
Watkins, M. | How to Look at Merce Cunningham | 38 | ||
Wethered, A. | Ballet in Iran | 33 | ||
Wilmot, V. | On Preparing a Dance for Television | 39 | ||
Woodman, K. | Dance as David Danced. | 1998 | 17.4 | pp.1,12 |