| Author |
Article |
Year |
Vol |
Pages |
| Akester, E. |
Dance I have seen in Zanzibar |
12 |
|
|
| Akester, E. |
Religious Dance and Ritual I have seen in Zanzibar |
14 |
|
|
| Akester, E. |
My Personal Experience of Pre-1950 Dance |
51 |
|
|
| Bagley, G. |
Ausdruckstanz – The German Connection. |
1994 |
13.3 |
p.4 |
| Balaci, E. |
Rumanian Choreographic Folklore |
|
49 |
|
| Bartlett, K. |
So What is Community Dance? |
2004 |
23.3 |
pp.4-5 |
| Bartlett, K. |
Community Dance: a Work Force for the Future |
2009 |
28.3 |
pp.9-11 |
| Bodmer, S. and Stephenson, G. |
Modern Dance and the Contemporary Theatre |
|
11 |
|
| Bodmer, S. |
Recreational Dance |
|
37 |
|
| Bour, K. |
Dance, Architecture and Film making in Wells Cathedral. |
1998 |
17.1 |
p.3 |
| Bruce, V. |
Dance in Recreation |
1984 |
73 |
Nov |
| Brumof, H. |
Impressions of a Rehearsal in June 1965 of Members of the London Dance Theatre Group |
|
36 |
|
| Burn, M. |
Children’s Reactions |
|
2 |
|
| Carlisle, A. |
Stimuli for Dance from the Natural World |
2004 |
23.1 |
p. 13 |
| Carlisle, A. |
Staying Alive |
2006 |
25.4 |
pp.8-9 |
| Corlett, H. |
Dance Drama in A Roman Catholic Cathedral |
|
39 |
|
| Craig, J. |
Dance in South Africa |
|
2 |
|
| Curl, G. |
Aesthetic Values in Community Dance |
2004 |
23.3 |
pp.7-9 |
| Curtis-Jones, A. |
Historical Recreation and current Practice |
2009 |
28.1 |
pp.4-7 |
| Curry, E. |
The Hobby Horse |
|
20 |
|
| Curry, E. |
The Corn Dance |
|
21 |
|
| Delza, S. |
Chinese Exercise Techniques |
|
13 |
|
| Gardner, C. |
Opera: Therese – Movement by Geraldine Stephenson |
|
63 |
|
| Gleisner, M.M. |
On Movement Choirs |
|
63 |
|
| Hamby, C. |
Kurt Jooss Ballet |
|
38 |
|
| Harmel, L. |
Modern Dance I n Japan |
|
17 |
|
| Harmel, L. |
Questions and Answers |
|
37 |
|
| Hartong, C. |
Some Aspects of Modern Dance in Holland |
|
24 |
|
| Harvey, S. |
Recreational Dance: Notes from an Outsider |
|
36 |
|
| Haslett, J. |
Earth. |
1998 |
17.2 |
pp.4-5. |
| Heynssen, A |
American Dance Recitals |
|
14 |
|
| Hofman, R. & Rouchon, D. |
Dancing Around. |
1993 |
12.2 |
p.4. |
| Houston, S. |
Community Dance in the Aftermath of Pandemic Restrictions |
2022 |
41.5 |
pp.7-8 |
| Hunt, B. |
The Lao Funeral Celebration |
|
30 |
|
| Keir, S. |
Cut meets Choreography; designing costumes for contemporary dance |
2001 |
20.2 |
pp. 4-5 |
| Kuppers, P. |
The Olimpias: Community Dance and Performance Technologies |
2004 |
23.3 |
pp.10-11 |
| Li, H. |
Chinese Cultural Activities. The Application of Laban’s Principles. |
1997 |
16.2 |
pp.4-5 |
| Loman, H. |
Martha Graham |
|
39 |
|
| Lunn, J. |
Community Dance, the Benefits and Beyond |
2004 |
23.3 |
pp.5-6 |
| Lunn, J. |
On the Movement Choir |
2022 |
41.5 |
p.10 |
| Lustig, C. |
A Movement Observer in Southern India |
|
11 |
|
| Lustig, C. |
The Dances of Malaya |
|
29 |
|
| Lustig, C. |
The Young Dancers and the Sylvia Bodmer Dance Group |
1990
|
79 |
May |
| Maletic, A. |
The Dance in Yugoslavia |
|
15 |
|
| Mather, U. |
What is the Difference Between Professional Theatre Dance and Community Dance? |
2005 |
24.4 |
pp.9-11 |
| Matthews, H. |
Working with Live Arts. |
1994 |
13.3 |
p.1 |
| Matthews, H. |
Dances of the Soul. Witches – October 1997. |
1999 |
18.1 |
p.5 |
| Mayerova, M. |
“Le balet est mort: vive le balet!” |
|
18 |
|
| Mortimer, J. |
Community Dance at Brockhill |
2005 |
24.4 |
7-8 |
| Newlove, J. |
The Theatre is a Hazardous Profession. |
1995 |
14.3 |
pp.1,3 |
| Nugent, A. |
Criticising Forsythe |
2006 |
25.1 |
pp.37-38 |
| Owen-Wooten, B.J. |
Roots of the American Modern Dance |
|
19 |
|
| Parry, R. |
The Laban Toolbox |
2015 |
34.3 |
pp. 8-9 |
| Petit, J. |
So you do T’ai Chi. |
1998 |
17.3 |
p.3 |
| Preston, V. |
Impressions of a Television Broadcast |
|
6 |
|
| Preston-Dunlop, V. |
Martha Graham |
|
32 |
|
| Preston-Dunlop, V. |
Trinity Laban Movement Choir – In Memoriam |
2015 |
34.1 |
p. 14 |
| Reddy, J. |
Dancing from the Heart – UK/Culture |
2015 |
34.1 |
pp. 12-13 |
| Royston, D. |
Using a Laban Approach to make Physical the Historical |
2022 |
41.5 |
pp.5-6 |
| Royston, D. |
Dancing Internationally |
2008 |
27.4 |
p.5 |
| Scott, A. |
CCPR Festival of Movement and Dance |
1985 |
74 |
Nov |
| Smith, H. |
The Maori and their Dances |
|
28 |
|
| Stephenson, G. |
Movement in the York Cycle of Mystery Plays |
|
7 |
|
| Stephenson, G. |
Dancing at the Bar |
|
18 |
|
| Stephenson, G. |
The Masque of Teilo |
|
31 |
|
| Stuiber, B. |
Journeys into the 21st Century. |
1998 |
17.4 |
p.3 |
| Stuiber, B. |
Oriental Dance as a Movement System According to Rudolf Laban’s Theory |
2003 |
22.2 |
p.7 |
| Tagor, P. |
Dance in India |
|
27 |
|
| Thaeter, A. |
Laban’s work in Action in Germany. |
1994 |
13.4 |
p.4 |
| Thornton, Susi |
Ruminations on Shakespeare and Laban. |
1997 |
16.2 |
pp.1,10 |
| Thornton, Sam |
Movement Choir – Carmina Burana |
? |
|
|
| Thornton Sam |
Movement Choirs |
2006 |
Supp |
p.18 |
| Tomkins, A. |
The Concept of Community Dance |
2005 |
24.4 |
pp.4-5 |
| Ullmann, L. |
Recreative Dancing in the Movement Choir |
|
16 |
|
| Ullmann, L. |
Rhythm and Harmony in Movement as a Recreative Activity |
|
21 |
|
| Wallman, C. |
Historical Dance: Renewed Interest – Inspiring Opportunities |
2019 |
38.3 |
pp.10-11 |
| Waterman, R. |
The Influence of Rudolf Laban on the Teaching of Keep-fit in Birmingham 1945-1998. |
1998 |
17.2 |
pp.7,10 |
| Watkins, M. |
Alvin Ailey American Dance Theatre |
|
33 |
|
| Watkins, M. |
How to Look at Merce Cunningham |
|
38 |
|
| Wethered, A. |
Ballet in Iran |
|
33 |
|
| Wilmot, V. |
On Preparing a Dance for Television |
|
39 |
|
| Woodman, K. |
Dance as David Danced. |
1998 |
17.4 |
pp.1,12 |
